Bec Stafford interviews Alison and Nicholas Lochel, authors of the Fyrelit Tragedy.

Zarkora, Book 1 of your Fyrelit Tragedy, is a huge hit with readers (and you have books 2, 3, & 4 set for release from this November through to October of 2016). Can you tell us about the series and how you first developed your wonderful characters, Neleik, Ervine, and Skye?

Zarkora is the tale of two orphaned brothers on an epic quest to save their little sister after she is kidnapped by a mysterious stranger. The brothers swiftly gain the companionship of a half-giant, a runaway princess and a mysterious hermit, who help them in their quest.

But in the process of tracking down the kidnapper, the farm boys discover a huge secret their late parents had been keeping. It’s a fast paced, four-book fantasy series that would appeal to fans of the Ranger’s Apprentice and Deltora Quest.

We grew up very close with our two brothers, and our bond was really the inspiration behind the Zarkora books. The characters Neleik, Ervine, Skye were loosely based on us and Justin, our larrikin of a brother. Our older brother Chris inspired the character of T’shink. Over the years, we developed the characters further to better suit the story, but there’s certainly hints of us in them.

How fantastic to be able to write as a brother/sister team! When did you first develop your love for writing and when did you realise you’d make a good writing duo? What are the best and also the most challenging aspects of writing with a sibling?

Nicholas – While I was still in high school, I was studying Stage and Screen Acting. I learnt a lot about the structure of a story, character development and script writing. When I graduated, I moved to Sydney with the seed of an idea for Zarkora, and started writing it as a movie script.

But when I moved back to Brisbane in 2006, I found Alison a huge bookworm and writing short stories. We loved the same sorts of books, movies and games, so I pitched her the basic idea for Zarkora and we started developing it as a series of novels. It took us roughly 6 years to plot out the four books and finish the first book in the series, The Fyrelit Tragedy. We’ve always got along really well, but I think it’s really just our shared love of stories that makes us a good writing team.

Alison – The best aspect of writing with a sibling is you always have someone to discuss the story with. We find it’s easier to create and problem solve when you’re voicing ideas and issues out loud. The most challenging aspect would be when we disagree on something. It doesn’t happen often, but when it does, it can be a little frustrating. But like any good working relationship, we talk it out and come to a mutual agreement. We’ve been writing together for 10 years now, and we certainly don’t plan on stopping any time soon.

 
Who are your creative heroes and what are you both reading at the moment?

Nicholas – We have heaps of authors we look up to, but my creative heroes would have to be J.K. Rowling, Emily Rodda and Roderick Gordon. I am currently reading A Monster Calls by Patrick Ness and Helix & the Arrival by Damean Posner and illustrated by our mate, Jules Faber.

Alison – I absolutely love J.K. Rowling, Emily Rodda and Isobelle Carmody (I’m dying to read The Red Queen, the final book in the Obernewtyn series). I recently finished Jinx by Sage Blackwood and Star of Deltora by Emily Rodda, and am currently reading The Mortal Instruments series by Cassandra Clare.

 
Which of your fictional characters Burns Brightest in your mind and why?

Nicholas – I love all of our characters, but it’s T’shink, the mysterious warrior-hermit in our story who burns brightest in my mind. He’s the strong, silent type, but he is also a very complex character.

Alison – I’d have to say Devyn, the main dragon in the story. I’ve always loved dragons, but I have a real soft spot for Devyn. He is a rebellious and savage character a lot of the time, but always comes through for the companions when it truly counts.

_____________

Nicholas Lochel grew up in Brisbane, Australia, along with his two brothers and sister, Alison, with whom he is co-writing the ZARKORA series. It was the close bond he shared with his siblings that first inspired the story. He has held a wide variety of jobs over the years, including work as an actor, a bartender and a postie, but his love for stories, and the pursuit of a career as an author, has remained constant throughout. He devotes most of his time to writing, and when he is not seen with a pen and paper or a good book, he can usually be found riding his Triumph motorcycle about town or on some grand adventure.

Alison Lochel, for as long as she can remember, aspired to be an author. At the age of fourteen, she began writing the first book in the ZARKORA series, THE FYRELIT TRAGEDY, along with her brother, Nicholas. Her passion for writing continues to this day as the four-book series nears its completion. She has a cupboard full of dragons, and has been known to read for long periods of time – so long, in fact, that she is often coated by a thin layer of dust. Achoo!

Bec Stafford interviews Aussie YA Shaheen from Speculating on Spec Fic for the Escape Club.

At what age did you first get into spec fiction, and what was the first book you read in the genre?

I loved books from a very young age – the Grug and Little Miss/Mister Men books helped me learn English when we moved to Australia. I remember reading Enid Blyton’s The Magic Faraway Tree and its sequels, and asking the librarian for other books with magic in them. So I guess, that’s when I fell into Speculative Fiction.

The other vivid memory I have is getting to study The Hobbit in Year 7. I think that rekindled my love of speculative fiction, and I read The Lord of the Rings for the first time that year.

How did OzYAChat come about, and what are some of your favourite titles from the 2015 checklist line up?

OzYAChat – a fortnightly Twitter chat about all things Aussie YA – was inspired by other twitter chats that were around at the time. There was one for 2014 début titles, there was #UKYAChat, and of course, #PTAChat hosted by our very own PenguinTeenAustralia. Mands at The Bookish Manicurist and I wanted to create a space where readers, authors, and publishers could come together, easily access each other.

The book I most anticipate on the #OzYAChat check list is Their Fractured Truth by Amie Kaufman and Meagan Spooner. I love the Starbound series! I’m also desperate to read Illuminae by Amie Kaufman and Jay Kristoff. And I can’t forget Burn by Paula Weston, Fearless by Marianne Curley, and The Fire Sermon by Francesca Haigh, which are all available now.

It’s well known that Young Adult fiction is enjoyed by older adults, too. What do you think it is about the YA genre that appeals to the older crowd?

I love YA because it focuses on such a transformative stage of our lives, when we are in the process of finding out who we want to be. I don’t think that hope for the future, mingled with uncertainty, ever goes away, so it’s not surprising that a non-YA audience would be drawn to it.

You study astronomy and astrophysics. I know that fantasy, paranormal, and dystopian are your favourite sub-categories of spec fic, but which sci fi authors and books are your faves, and how important is it to you as a scientist that they get their research right?

I need all books to be logical and internally consistent, which for science fiction, translates to needing the science to be accurate. Which means research, sometimes lots of it. For example, with a story about a generation ship, I want the author to have at least casually looked into space travel, into population theory, into food sources and recycling of resources. I think they’re important things to consider.

One of my favourite examples of non-YA science fiction is Gemsigns by Stephanie Saulter, and I also enjoy C. J. Cherryh’s works – my favourite is Cyteen.

For YA science fiction, I don’t think I can go past Under the Never Sky by Veronica Rossi, Cinder by Marissa Meyer, and These Broken Stars by Amie Kaufman and Meagan Spooner.

You’ve said that Aladdin would be your fictional dream hubby. Who’d be your bestie and why?

Kotara, from Avatar: The Last Airbender. I thought about Tris and Katniss, all the usual suspects, but I think I’d get on best with Kotara because our world-views match a lot, whereas I don’t see the world the way the others do.

Who are some of your favourite YA bloggers and why?

All of them? Is that an acceptable answer? But iI must choose —

Cuddlebuggery Book Blog–  http://cuddlebuggery.com – because Kat, Steph and Meg never fail to make me laugh.

The Bookish Manicurist – http://thebookishmanicurist.blogspot.com.au/ – Books and manicures, what’s not to love?

Diva Booknerd – http://www.divabooknerd.com/ – I think Kelly’s reviews are always insightful; I like hearing what she has to say.

Tsana’s Reads and Reviews – http://tsanasreads.blogspot.com.au/ – Tsana’s my go-to person for Aussie titles. She reviews broadly and our views on the importance of science in books align very well!

Bec Stafford interviews Sean McMullen about his new fantasy series written in collaboration with Paul Collins.

Sean, you’ve recently collaborated with Paul Collins on a new 6-part fantasy series, The Warlock’s Child. The first two books (The Burning Sea and Dragonfall Mountain) have now been released and are enjoying a very positive reception. (Book 1 has, in fact, already gone into its second reprint). What was it like co-writing with Paul and what can you tell us about this tale of dragons, magic, and deception?

Paul and I have worked together before, so we have our collaborative roles, strengths and weaknesses pretty well sorted out. I helped Paul with the tech for a young adult story called Deathlight a while back, and after this was published, he started to expand it into a series. Because his publishing company is going really well, he ran out of writing time about a third of the way through. That’s why I was brought in. The language had to be easily accessible to an older child/young adult readership, but I have written for this age group before.

I decided that we needed to plan out a stronger series arc. Dragons are always popular, and Paul had Marc McBride lined up to do the covers. Marc does wonderful dragons, and I had some dragon themes that I’ve wanted to work on, so dragons became the driving force behind the plot.

Dantar, the fourteen year old cabin boy at the centre of things, presented a problem. He was just a cabin boy, and we needed the view from the top as well as the riff-raff’s PoV. I expanded the role of Dantar’s older sister, Velza, rather massively. Velza is an officer on his ship, and she gets to mingle with the leaders, so we see the big picture through her. I rather like Velza, because while she is brave and accomplished, she is also very insecure and highly approval-conscious. Heroes with weaknesses are way better heroes.

The story’s basis is that humans can only ever use one type of the four magics – earth, air, fire or water. Dragons can use all four, and they don’t want humans to become as powerful as themselves. While the dragons are immortal, they have become sterile, which is a big concern for any dragon. Now a human warlock has discovered the cure for dragon infertility, and he wants to trade this secret for power over all four magics. He is even willing to kill his son Dantar (the warlock’s child of the title), to get this power.  Dantar is less than enthusiastic about being the raw materials for dad’s experiments, so he goes on the run in Book 2.

Two editions of your ebook collections, Ghosts of Engines Past (featuring steampunk stories), and Colours of the Soul (your recent science fiction and fantasy work) have been released through ReAnimus Press and Amazon.com. What do you enjoy about short fiction, and which is your favourite genre to write in: steampunk, science fiction, or straight fantasy?

Short stories are the motorcycles of literature, they allow me to dash in quickly and do some really exciting things, while the reader hangs on and hopes I don’t crash. They have intensity rather than complexity, but they are a definite challenge when fitting in character development characters and creating a plausible background. Novels are more like container ships, not as exciting but able to carry way more. I am currently about two months off finishing a steampunk novel, which may turn out to be a container ship that handles like a motorcycle.

Steampunk is my favourite genre, although I consider it to be a mixture fantasy and science fiction. The Victorian era backdrop that steampunk uses is easily as romantic as medieval fantasy, but you can also use electricity, steam engines, computers and telegraphs. Even better, a lot of people tried to establish a scientific basis for the occult and magic during the Nineteenth Century, so steampunk can have magic as well.

When writing steampunk, I enjoy the challenge of keeping the technology feasible for the period. In Ninety Thousand Horses I had a rocket powered train that can travel faster than sound, so the setting had to be 1899 – when liquid oxygen was commercially available. That said, Ninety Thousand Horses also needed a strong romantic theme. I based that part on Verdi’s La Traviata story of love, tragedy, revenge and assorted highly charged emotions. It won the Analog readers’ poll, so I seem to have got the balance right.

On your website, your fans can listen to a series of audio tales which you personally read. Hearing our favourite authors read their own stories is always a real treat. Do you enjoy reading your work? Which of your own favourite writers would you like to hear reading their works and why?

I love reading my work, it’s like being able to write more detail into the text without adding more words. I have a professional background in acting and singing, and have had training as an actor. That’s very important when doing audio recordings because readings are as hard to get right as songs – if not harder.  It’s not uncommon to hear an author admit to buying a nice piece of audio kit to do readings of their own work, being horrified when they hear themselves reading, then putting the recording unit straight onto eBay. It’s a skill that needs a lot of work and practise, there is no doubt about that.

Neil Gaiman is easily the best reader among the authors I know. He has it all – breath control, characterisation, intonation and great material to read. I am particularly fond of Owls, his take on the Seventeenth Century antiquarian John Aubry. At his best, Douglas Adams was just as good. His reading at Melbourne University was magical, nobody did Marvin the Paranoid Android as well as Adams himself. Unfortunately, his commercial readings don’t come across as well; they sound as if they were recorded one sentence at a time.

In general, actors do a far better job with readings than authors; so, I prefer readings by actors. Tony Robinson, Peter O’Toole, Boris Karloff, Nigel Planer and Sean Connery and among my favourites. You may have noticed that there are no women among all those actors and authors named, and that they are all British. That is because I am probably (subconsciously) looking for examples of readings that I can learn from to improve my own reading technique. After all, I have a deep voice and I do a reasonably convincing British accent. I used to think I sounded Australian, but people kept asking me how long I’ve been out here, and whether I went to Oxford or Cambridge.

Which of your fictional characters Burns Brightest in your mind and why?

“Burns Brightest” could have various meanings, so I’ll make two attempts. The bad-boy wastrel John Glasken is certainly a favourite with many readers, and he does loom exceedingly large in the Greatwinter novels. He is a mixture of all sorts of people I knew from my university/rock band/folk music/party-all-night-and-try-to-sleep-at-work years. My attitude to him is similar to the way Rowan Atkinson feels about Mr Bean: a wonderful piece of character creation, but if he arrived to take your daughter on a date you would slam the door in his face.

My personal favourite is Zarvora, the dragon black chief librarian who invents the human powered computer, the Calculor, in Souls in the Great Machine. She is a bit like Terry Pratchett’s Lord Vetinari, a strong, ruthless leader who gets results and does not suffer fools gladly – yet she does get it wrong occasionally.

I have a great fondness for characters who are flawed but brilliant. If asked which character I wish I had created, it would definitely be the Sherlock Holmes from the Sherlock TV series. I shall be doing some more work on the fourth Greatwinter book later this year. It is set two hundred years after Eyes of the Calculor, so Zarvora is no more, but there is another chief librarian continuing the tradition of being brilliant, dedicated, flawed, focused, and just a little short of temper.

Bec Stafford interviews Gold Coast based YA author, Marianne Curley.

Q1. Fearless (the third book of your Avena series) will be released later this year and is already available for pre-order. Your star-crossed lovers, Ebony and Nathaneal, are determined to reconnect, though Ebony is trapped in a hellish reality. Will he free his angel?! How does your romance background inform your YA novels? And are you a romantic in real life?

What a loaded first question! In the upcoming finale to the Avena Series, Ebony and Nathaneal are determined to reconnect, but whether they do, and whether or not Nathaneal is able to free his angel, is not something I’m willing to divulge at this time. In other words, you have to wait until Fearless is released on the first of July to find out! But I can tell you that Fearless is packed with action, and whether the star crossed lovers reconnect or not, it won’t be from a lack of trying by the both of them.

I’m assuming by romantic background that you mean the eight manuscripts I wrote and submitted to Mills & Boon twenty odd years ago. They were enormously helpful even though Mills & Boon didn’t publish them. I refer to those manuscripts as my learning phase, my writing apprenticeship. Those were the books that taught me discipline, patience, persistence, and above all, how to write romance. All my young adult novels, from Old Magic to Fearless, have strong romantic elements. Almost all great books have love stories at their core. It’s the love story that drives the characters as they forge ahead to eliminate the obstacles that keep them apart.

Your question whether I consider myself a romantic intrigued me, and I had to check what being a romantic actually means. There are quite a lot of ideas and interpretations on the Internet, but it seems the general consensus is that a romantic is someone with a sensitive nature and who has an awareness of people’s feelings. They can tell when someone is sad, for instance, and they give love out as much as they receive, and probably more. Their view of love is idealistic, believing in the happily ever after scenario, and their actions and gestures come from their hearts. In other words, they’re sincere. And finally, they look for beautiful things and beautiful ways to express themselves. Is this me? Other than being slightly jaded from life’s occasional bitter experiences, I would say, yes, at heart I am a romantic.

Q2. I read the amazing story of how one of your avid Guardians of Time trilogy fans actually wrote a sequel to your story. How does it make you feel to know that you’ve made such an impression on your audience, and if you could continue, or extend, a favourite storyline, which would you choose and why?

I am consistently floored and humbled by my readers. Whether my writing has inspired someone to create a drawing of my characters, a poster or book cover for a school project, or write a 500 page sequel, or go on to become a published writer, every time I’m made aware of their achievements, I feel privileged and inspired to write more and more.

The storyline I would continue is The Guardians of Time, a fourth novel to pick up after the final battle in The Key. I’ve thought about doing this many times, even to the point where I created a plan for a new series based on the same characters but one year later. The reason I would like to do this is simple, this series doesn’t feel finished.

Q3. Where to after the Avena series, Marianne?

It’s going to be something different for me next. I’ve written a young adult contemporary manuscript, title not yet confirmed, that I have just sent to my agent to read. My fingers and toes are crossed as I wait a verdict. After that I will be writing another YA contemporary novel. And following that book, I will likely return to writing paranormal fiction.

Q4. Which of your characters burns brightest?

Without hesitation the character who burns brightest in my family of characters is my most recent member – Ebony Hawkins. I’ve watched her evolve from being a confused girl who knows she is different to something unique and special. From the start Ebony knows she does not fit in the normal world. Questioning her parents, she learns of her unusual adoption. Then a remarkably-beautiful stranger enters her life. He tells Ebony that she’s an angel. And while trust doesn’t come easy to Ebony, nothing will now stop her from searching for the truth. Ebony goes on a roller coaster ride, breaking free of restraints that were forced on her at birth, learning more about herself with each chapter, each volume, until she evolves into her true self.

Bio:

Marianne never thought she would be a writer. It was not until her mid-thirties, while teaching office studies and computers to adults at the Coffs Harbour Education Campus that she began to write, taking courses and experimenting with various styles and genres.

Marianne’s first four novels, Old Magic, The Named, The Dark and The Key, were published by Bloomsbury Publishing in Australia, the UK, and the USA, with translations into more than a dozen foreign languages. They have won numerous awards, and sold in numbers well in excess of half a million books worldwide.

In 2004, just as The Key was being prepared for printing, Marianne was diagnosed with an aggressive form of bone marrow cancer called Myelofibrosis. With only a short time to live, she was given a stem-cell bone marrow transplant using her sister’s cells, which saved her life. Marianne has now been cancer free for ten years and has written a new trilogy called the Avena Series. The first two books, Hidden and Broken were published in 2013 and 2014, with the third, Fearless, is to be released on the first of July, 2015.

Bec Stafford interviews Jo Knowles, author of the award winning YA novel, Living with Jackie Chan.

I’ve read that, in planning your novels, you’re immediately aware of your characters’ emotional story arcs and note which will be the strongest emotions in each scene. Fans and critics alike have said that your books, including See You at Harry’s, are incredibly moving. Why do you think you’re so attuned to your readership’s emotional responses and able to create such emotionally complex characters and situations? How emotionally involved do you become with your characters when you’re writing?

Oh, that’s a really hard question! I guess the stories I want to tell have always come from a very emotional place to begin with. Usually it’s a troubling feeling that first stirs the story up in my heart. I live with the idea for a long time. It’s like finding the piece to a huge jigsaw puzzle.  You have no idea what the rest of the picture looks like, but there’s something about the piece you have that calls to you to find the other pieces to discover the bigger picture and it becomes almost an obsession until you do. I become extremely attached to the people I’m writing about and feel a huge responsibility to help them find their way, so I guess in that sense I am very emotionally involved.

Your award-winning novel, Living with Jackie Chan, tells the story of Josh (who we first met in Jumping off Swings) a high-school senior who is coming to terms with the fact that he has fathered a child. Can you tell us about the process of writing this story and what challenges you faced dealing with this confronting subject?

After Jumping Off Swings was published, I began to hear from readers who would write to me and ask, “Is Josh going to be OK?” and I always struggled with how to answer because I really didn’t know. I think the question rooted itself in my heart and I began to think deeply about what might have happened to Josh. We leave him so lost and alone at the end of Swings; I suppose that wasn’t really fair of me. Slowly, I began to imagine a life for Josh beyond those pages. We leave him when he’s about to go off to live with his uncle. Who would his uncle be? I was trying to imagine that when one night I went to watch my husband and son test for a belt in Karate. I hadn’t met their instructor yet but when he came bounding in the room, full of life and encouragement (especially toward my son), I thought, HE’S THE ONE! This is the uncle Josh needs. As soon as I knew who Larry was, the story just flowed out of me. I really didn’t feel like there were challenges in confronting the subject. If anything, I was eager to explore it, as so often the boy’s point of view is lacking in literature about teen pregnancy.

Jo, I’ve read that you try to read a novel a week, and that you’d recommend this activity for aspiring writers. Do you keep a list of the books you’ve read? What have been some of your all-time favourites, and why? What are you reading right now, and what’s next on your to-read list?

I do try to keep this up though sometimes it’s very hard, especially when I’m teaching. I used to keep track of the books I read on GoodReads and LibraryThing, but I admit I’ve really fallen behind. I recently read a book that will be coming out in March called Lighting The World, by Merle Drown, which is a very raw and gritty exploration of a boy on the edge and also Honor Girl by Maggie Thrash, which is a graphic novel memoir. Both are just really honest about the ugly spaces, and people I suppose, that occupy our lives. I really appreciated the bravery in that, but also the kindness and understanding given to even the less likable people. Everyone has a story and a reason for why they are the way they are, and I always appreciate when authors acknowledge that and give us a glimpse of those lives, too.

Which of your fictional characters Burns Brightest in your mind and why?

Oh gosh, I can’t choose. They all burn in different ways! I think my big goal in writing is to shine light on dark places. The dark truths that are part of all of our lives. If we could only admit that they are there, confront them, we’d come a long way to preventing them in the first place. I think the more we do this, the less alone so many readers will feel.

Jo Knowles is the author of Jumping Off Swings and its sequel, Living with Jackie Chan, as well as See You at Harry’s. She lives in Vermont with her family.