Big 4 With Bec: Lian Tanner

Lian Tanner is a children’s author and playwright. She has worked as a teacher in Australia and Papua New Guinea, a tourist bus driver, a freelance journalist, a juggler, a community arts worker, an editor and a professional actor. It took her a while to realise that all of these jobs were really just preparation for being a writer. Nowadays she lives by the beach in southern Tasmania, with a small tabby cat and lots of friendly neighbourhood dogs. She has not yet mastered the art of Concealment by the Imitation of Nothingness, but she is quite good at Camouflage.

The second book in The Keepers trilogy, City of Lies, won the Aurealis Award in 2011 for Children’s Fiction. Lian Tanner’s books are published by Allen and Unwin.

1. You do a wonderful job of portraying a world that has been protected to the point of not being able to function in a crisis. Where did you get the inspiration for that? Were you holding a mirror up to our world?

A: When I was thinking about this story, there was a lot of discussion in the Australian media about ‘bubblewrap children’, which I found interesting, because like most of my generation I had a very free-ranging childhood. I know it’s a different world now, but I think there are other ways of responding to it than over-protection, and the effect of keeping children too safe really bothers me. But it wasn’t just the media debate that brought it home to me. At the same time, there was a boy living in my street (a very safe little cul de sac where children regularly play cricket and footy in the middle of the road) whose parents worried about possible disasters so much that they hardly let him out the front gate. And on the rare occasions when he managed to escape, I noticed that he wasn’t nearly as physically competent as the other kids of his age. Nor was his judgement good. In protecting him so carefully, his parents had actually made him more vulnerable.

So those things were important as inspiration, and there was certainly a bit of mirror-holding going on – I like to have both depth and ideas in my books, so that they work on several different levels. But at the same time I thought that pushing this notion of over-protection to its natural conclusion – the guardchains – could make a really interesting and exciting story that would appeal to kids.

2 The main characters of The Keepers are thieves, and Toadspit starts off as such a hostile character. Were you worried about how they would be received by your readers?

A: Yes, I didn’t want kids to come away from the book with the idea that it was fine to go off and steal whatever they liked, just because they coveted something. In the end I used Olga Ciavolga to make it clear that there were certain rules, and that stealing was only all right if you used it for a good and selfless purpose. That seems to have struck a chord with people – those particular lines are the most frequently quoted from the book.

As for Toadspit, he has turned out to be a favourite character for many readers, so I guess his initial hostility doesn’t turn them off. I didn’t really think it would, mainly because he is also intriguing, which keeps people interested in him for long enough to start to understand why he is so hostile.

3. Lian, you studied earth sciences and have said that you draw much inspiration from the time you spend at the beach. What is it about natural environments that you find so compelling and how do they stir you, creatively?

A: I think one of the things natural environments do is provide mental and emotional space. Cities are full of things that clamour for our attention, whereas the countryside or the beach is much more restful. When I’m in the city, I find that I instinctively keep a tight hold on my physical and emotional boundaries. It’s a protective thing, even in a small city like Hobart. But on the beach, I can let go of that tight hold, I can let my thoughts swim in ever-widening circles, make odd connections, daydream. That’s a very creative state of mind!

4. Which of your fictional characters Burns Brightest in your mind and why?

A: I love them all, even the villains, but probably my favourite character is Mouse, a small mute boy who first appears in the second book, City of Lies. He tells fortunes with the help of his white mice, and has a very sweet nature, despite his hard life on the streets. I had the character of Mouse in mind for about six years before I found the right place for him, and ‘burns brightest’ really does describe him. He’s one of those people who affect the lives of those around him far more than you would expect for someone his age.